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                  <text>Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy.</text>
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                <text>Harold Carpenter on guitar and Frazier Gills on fiddle</text>
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                <text>-  Event: Tuesday night jam session at Frazier Gills' Barbershop.&#13;
-  Throughout southern West Virginia one can find regular jam sessions, which occur in public spaces like the Sophia Fire Hall, the Coal City Barber Shop, and the Beckley Flea Market, as well as in private buildings sometime built for that purpose, and elsewhere as well. As one musician put it, "We've played on the riverbanks, we've played on the mountaintops." Musicians playing a variety of instruments assemble regularly to perform an eclectic repertoire, including as one musician said, "traditional country, bluegrass, rock'n'roll, and gospel." Frazer Gills, a celebrated fiddler in the coal fields, cuts hair in the barbershop he built beside his home in Coal City. On Tuesdays he swaps haircuts with Thurmond Walker, a barber in Beckley, who is also a fiddler. Each Tuesday night area musicians congregate at Frazier Gills' for barber shop jam sessions. This session took place in the narrow cinderblock barbershop that Frazier Gills built next to his home in Coal City. Lined with benches beneath walls spangled with decades of historical memorabilia, the shop's focal point is a single barber chair on a dais opposite the entrance. The panoramic photo of miners at the entrance to Letterbrook Number 3 was taken in 1951. The mine shut down in 1955.</text>
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                <text>Carpenter, Harold (Depicted)&#13;
Gills, Frazier (Depicted)&#13;
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                <text>-  Throughout southern West Virginia one can find regular jam sessions, which occur in public spaces like the Sophia Fire Hall, the Coal City Barber Shop, and the Beckley Flea Market, as well as in private buildings sometime built for that purpose, and elsewhere as well. As one musician put it, "We've played on the riverbanks, we've played on the mountaintops." Musicians playing a variety of instruments assemble regularly to perform an eclectic repertoire, including as one musician said, "traditional country, bluegrass, rock'n'roll, and gospel." For more than twenty years the musicians in these photos have been getting together at the Sophia Fire Hall on Thursday nights to jam. Some of them have played together publicly under names like "The Harmony Sisters," "The Richman Group," and "The Country Wonders," but they also go by the name of "Papa Frank's Bunch," in tribute to Franklin Adkins, a senior musician and vocalist who also hosts a session of music every Friday night at his home in Stanaford, near New River.&#13;
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Eiler, Lyntha Scott (Photographer)</text>
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                <text>Display at the Kentucky Bluegrass Museum in the Ohio River city of Owensboro, Kentucky's fourth-largest city</text>
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                  <text>Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy.</text>
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                <text>Steady and soulful, Adrian McKee anchors the rhythm with his upright bass. His deep, resonant tones provide the heartbeat of the ensemble, blending power with precision. In his hands, the bass becomes more than the background—it’s the silent engine driving the music forward.</text>
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                  <text>Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy.</text>
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                <text>With bow in hand and a smile on his face, Bob Wills brought the fiddle to the heart of Western swing. Blending country, jazz, and blues, his lively playing style energized dancehalls across America. More than a bandleader, Wills was a showman—his fiddle led the charge, making every performance a celebration.</text>
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&#13;
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&#13;
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