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                  <text>Group 2</text>
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                  <text>History Of Bluegrass Music</text>
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                  <text>Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy.</text>
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                <text>Franklin Adkins playing dobro</text>
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                <text>-  Throughout southern West Virginia one can find regular jam sessions, which occur in public spaces like the Sophia Fire Hall, the Coal City Barber Shop, and the Beckley Flea Market, as well as in private buildings sometime built for that purpose, and elsewhere as well. As one musician put it, "We've played on the riverbanks, we've played on the mountaintops." Musicians playing a variety of instruments assemble regularly to perform an eclectic repertoire, including as one musician said, "traditional country, bluegrass, rock'n'roll, and gospel." For more than twenty years the musicians in these photos have been getting together at the Sophia Fire Hall on Thursday nights to jam. Some of them have played together publicly under names like "The Harmony Sisters," "The Richman Group," and "The Country Wonders," but they also go by the name of "Papa Frank's Bunch," in tribute to Franklin Adkins, a senior musician and vocalist who also hosts a session of music every Friday night at his home in Stanaford, near New River.&#13;
-  Event: Thursday night jam session at the Sophia Firehouse.</text>
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                <text>Adkins, Franklin (Depicted)&#13;
Eiler, Lyntha Scott (Photographer)</text>
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                <text>October 26, 1995</text>
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                  <text>The Nettie Hale Rand Collection of Fine Binding and Printing</text>
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                  <text>March 20, 2023</text>
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                  <text>Sean Stringfellow, Shanya Mirza, Cassie Li, Christina Li</text>
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                <text>Friar Jerome's beautiful book : A.D. 1200 / Thomas Bailey Aldrich</text>
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                <text>Vellum (parchment)&#13;
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                <text>The story combines historical fiction and poetry. Follows the journey of a friar named Jerome who has a rare and exquisitely crafted book that has deep meaning. It has a lyrical style of writing. </text>
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                <text>Aldrich, Thomas Bailey </text>
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                <text>Vanderbilt Library Catalog </text>
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                <text>London : Sangorski</text>
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                <text>Poetry </text>
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                  <text>Objects of Celebration: LGBTQ+ Ornamentation in the Twentieth Century</text>
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                  <text>The materiality of LGBTQ+ celebration in the mid-south during the twentieth century. </text>
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                  <text>Vanderbilt University Special Collections - Ron Sanford Papers </text>
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                  <text>March 20, 2025</text>
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                  <text>Organized by Sara Jones, Nadia Maldonado, Logan Bartee, Jacob Ashby</text>
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                  <text>Ron Sanford - business owner, community organizer, and gay rights advocate - was born and raised in Nashville, but his life and work have left legacies all throughout the South. In particular, Ron's efforts to make space for LGBTQ+ individuals in the region have been made concrete through the numerous gay bars he has helped own and operate, in many cases serving as venues for drag pageants. In the foreword for James Sears' "Growing Up Gay in the South: Race, Gender, and Journeys of Spirit," Virginia Uribe wrote that, in the South, the stories of the LGBTQ+ are at their core "stories of courage and triumph in the face of defeat" (Sears 1991, xii). Vanderbilt Special Collections, largely under the initiative of Sarah Calise, has made a broad effort to make those stories visible and available for the public and scholars alike. The Ron Sanford Papers, a collection of items related to Sanford's life and career, form one pillar of this archival project. This collection, drawing on those papers, highlights the objects that defined LGBTQ+ celebration in the mid-south during the twentieth century and the material aspects of a pageantry tradition which Sanford himself was active in organizing throughout his career. </text>
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                  <text>10 linear feet of source material from the Ron Sanford Papers, digitized by the students of DHUM 1100 and Vanderbilt University Special Collections. </text>
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                  <text>Located within the Ron Sanford Papers, archived at the Vanderbilt University Special Collections. </text>
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                  <text>Group #1 as part of DHUM 1100 at Vanderbilt University, Spring 2025.</text>
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                  <text>Per Vanderbilt Special Collections: When publication is intended, an application for publication rights for any material quoted must be submitted.  These stipulations also apply to dissertations and research theses.</text>
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                  <text>https://collections.library.vanderbilt.edu/repositories/2/resources/2199</text>
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                  <text>Physically located in Nashville, TN. </text>
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                <text>Miss Gay America Crown</text>
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                <text>The winning crown worn in the 1997 Miss Gay America pageant. </text>
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                <text>The winner of the 1997 pageant was Lauren Taylor, crowned in Charlotte, NC. Owned by Carmella Marcella Garcia.</text>
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                <text>anon. </text>
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                <text>Vanderbilt University Special Collections - Ron Sanford Papers</text>
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                <text>October 20, 1996</text>
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                <text>Vanderbilt University Special Collections</text>
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                <text>Opening of the 1997 Miss Gay America Pageant, made available on Youtube by  the "That's Entertainment" channel on December 17, 2018: https://www.youtube.com/watch?v=CzL0aVE499c</text>
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                <text>The 1997 Miss America pageant was held in Charlotte, North Carolina in the Ovens Auditorium on October 20, 1996. </text>
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        <name>Carmella Marcella Garcia</name>
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                <text>Worn by drag queen Carmella Marcella Garcia in 1989 at the inaugural Miss Gay US of A at-large pageant. Carmella Marcella Garcia was recognized as the fourth alternate at the 1989 pageant, and the winner, Netasha Edwards, was crowned in St. Louis, MO. </text>
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                <text>5 v. in 4 ; 39 cm.&#13;
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