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                  <text>Objects of Celebration: LGBTQ+ Ornamentation in the Twentieth Century</text>
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                  <text>The materiality of LGBTQ+ celebration in the mid-south during the twentieth century. </text>
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                  <text>Vanderbilt University Special Collections - Ron Sanford Papers </text>
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                  <text>Vanderbilt University Special Collections</text>
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                  <text>March 20, 2025</text>
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                  <text>Organized by Sara Jones, Nadia Maldonado, Logan Bartee, Jacob Ashby</text>
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                  <text>Ron Sanford - business owner, community organizer, and gay rights advocate - was born and raised in Nashville, but his life and work have left legacies all throughout the South. In particular, Ron's efforts to make space for LGBTQ+ individuals in the region have been made concrete through the numerous gay bars he has helped own and operate, in many cases serving as venues for drag pageants. In the foreword for James Sears' "Growing Up Gay in the South: Race, Gender, and Journeys of Spirit," Virginia Uribe wrote that, in the South, the stories of the LGBTQ+ are at their core "stories of courage and triumph in the face of defeat" (Sears 1991, xii). Vanderbilt Special Collections, largely under the initiative of Sarah Calise, has made a broad effort to make those stories visible and available for the public and scholars alike. The Ron Sanford Papers, a collection of items related to Sanford's life and career, form one pillar of this archival project. This collection, drawing on those papers, highlights the objects that defined LGBTQ+ celebration in the mid-south during the twentieth century and the material aspects of a pageantry tradition which Sanford himself was active in organizing throughout his career. </text>
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                  <text>10 linear feet of source material from the Ron Sanford Papers, digitized by the students of DHUM 1100 and Vanderbilt University Special Collections. </text>
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                  <text>Located within the Ron Sanford Papers, archived at the Vanderbilt University Special Collections. </text>
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                  <text>Group #1 as part of DHUM 1100 at Vanderbilt University, Spring 2025.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Per Vanderbilt Special Collections: When publication is intended, an application for publication rights for any material quoted must be submitted.  These stipulations also apply to dissertations and research theses.</text>
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                  <text>https://collections.library.vanderbilt.edu/repositories/2/resources/2199</text>
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                  <text>Physically located in Nashville, TN. </text>
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              <text>Illustrated Letter</text>
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                <text>'Queen for a Day'</text>
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                <text>This illustration, penned by John Deamicis, a renowned cartoonist based in New Jersey, was given as a gift to Ron Sanford in 1994 by Janet Haggerty. The work’s title is ‘Queen for a Day’ and was likely done on commission for Miss Haggerty. Depicted is a male dressed in drag, with various ornaments and decorative pieces of fashion.</text>
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                <text>The Ron Sanford Papers at Vanderbilt University Special Collections</text>
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                <text>1994</text>
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                <text>LGBTQ+ Life</text>
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                <text>Janet Haggerty</text>
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                <text>https://www.deamicis.com/</text>
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                  <text>History Of Bluegrass Music</text>
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                  <text>Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy.</text>
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                <text>"Globe Banjo"</text>
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                <text>Dominique Flemons is an American old-time music and neotraditional country instrumentalist, singer, and songwriter. He is a proficient player of the banjo, fife, guitar, and other instruments. Here is a handmade banjo he made from a globe and some bones along with other materials.</text>
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                <text>Don Flemmons</text>
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                  <text>Heads of State, Style, and Story: Crowns Across Cultures</text>
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                  <text>Study of ceremonial crowns and headpieces across different cultures and time periods.</text>
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                  <text>This curated collection explores the symbolism, artistry, and cultural significance of crowns from around the world. From sacred Yoruba regalia to 20th-century pageant tiaras, these artifacts reflect diverse expressions of power, beauty, and identity.</text>
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                  <text>Vraj Dirajlal, Fabio Lo, Samuel Lee Sangmyung, Aidan Reed</text>
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                  <text>Items from this collection are derived from a range of cultural and archival materials, including the Ron Sanford Papers housed at Vanderbilt University Special Collections.</text>
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                  <text>All rights reserved by Vanderbilt University Special Collections. Materials used with permission.</text>
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                <text>20th Century Swedish Wedding Crown</text>
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                <text>Ruth Blumka, New York, November 1978; Walters Art Museum, 1978, by purchase</text>
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                <text> http://login.proxy.library.vanderbilt.edu/login?qurl=https://www.jstor.org/stable/community.15696064</text>
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                <text>Early 18th century</text>
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