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                  <text>Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy.</text>
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                <text>With bow in hand and a smile on his face, Bob Wills brought the fiddle to the heart of Western swing. Blending country, jazz, and blues, his lively playing style energized dancehalls across America. More than a bandleader, Wills was a showman—his fiddle led the charge, making every performance a celebration.</text>
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                <text>Dominique Flemons is an American old-time music and neotraditional country instrumentalist, singer, and songwriter. He is a proficient player of the banjo, fife, guitar, and other instruments. Here is a handmade banjo he made from a globe and some bones along with other materials.</text>
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                <text>Elizabeth Ophelia Evans Johnson (1831-1900) kept this daily diary while managing her plantation near Cahaba, Dallas County, Alabama during the Civil War. In her diary, she records the challenges of plantation management and personal reflections as her husband, John Gilbert Greer Johnson, served in the Confederate Army with the "Cahaba Rifles" of the 5th Regiment, Alabama Infantry. Her entries provide insight into daily life, the impact of war on the home front, and the complexities of maintaining a household in turbulent times.</text>
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                <text>Elizabeth Ophelia Evans Johnson</text>
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                <text>MSS.0917, Marshall Chapman Collection; File Name: 002.tiff; SSID: 28612492</text>
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                  <text>History Of Bluegrass Music</text>
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                  <text>Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy.</text>
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                <text>Display at the Kentucky Bluegrass Museum in the Ohio River city of Owensboro, Kentucky's fourth-largest city</text>
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                <text>-  Title, date, keywords, and additional description details based on information provided by the photographer.&#13;
-  "Bluegrass" has a triple meaning. It's a literal kind of grass, plentiful in the area's horse-breeding country and it's the state nickname and, in the meaning applicable here, it's a style of country, or roots, music developed in the Appalachian Mountain region that includes Kentucky.&#13;
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                <text>Highsmith, Carol M., 1946-, photographer&#13;
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                <text>James Park</text>
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                  <text>Group 6: Accounts and Memorabilia of the American Civil War</text>
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                  <text>Collection of letters, reflections, diaries, and memorabilia from the American Civil War. Items were created during the war, but some were compiled into their final published form in the years and decades following. These stories give insight into various subtopics stemming from the war, such as the experience and thought processes of military surgeons in the mid 19th century, the nature of interaction of Union and Confederate soldiers in non-combative contexts, the perils of involvement even outside of battle, as well as methods utilized as means of historical preservation by actors in the conflict.</text>
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                  <text>Letters from the Civil War</text>
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                  <text>Emma Kyber, Grear Boyd, Jacob Kim, Brian Viner</text>
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                  <text>Created: April, 2025</text>
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                  <text>Vanderbilt University Special Collections and the Library of Congress</text>
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                <text>Letter from Jasper N. Smith to Elizabeth Lee Smith, March 12, 1862</text>
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                <text>United States History, Civil War, 1861-1865; Personal Correspondence</text>
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                <text>A handwritten letter from Confederate soldier Jasper N. Smith to his wife, Elizabeth Lee Smith, written on March 12, 1862, during the American Civil War. In this letter, Smith writes from a military camp, sharing news about his health, the conditions of the army, and his longing for home. This letter provides a personal and emotional perspective on the everyday experiences of a soldier and the strain of separation from family during wartime.</text>
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                <text>Vanderbilt University Special Collections</text>
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                <text>Vanderbilt University Special Collections, Vanderbilt University</text>
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                <text>March 12, 1862</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>May be viewed only in the reading room of Special Collections in the Jean and Alexander Heard Library</text>
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                <text>&lt;p&gt;&lt;span&gt;MSS.0436, Box 1, Folder 14&lt;/span&gt; &lt;a href="https://collections.library.vanderbilt.edu/repositories/2/archival_objects/274002"&gt;https://collections.library.vanderbilt.edu/repositories/2/archival_objects/274002&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Part of the Letters to Elizabeth Lee Smith collection (MSS.0436)</text>
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