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                  <text>Heads of State, Style, and Story: Crowns Across Cultures</text>
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                  <text>Study of ceremonial crowns and headpieces across different cultures and time periods.</text>
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                  <text>This curated collection explores the symbolism, artistry, and cultural significance of crowns from around the world. From sacred Yoruba regalia to 20th-century pageant tiaras, these artifacts reflect diverse expressions of power, beauty, and identity.</text>
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                  <text>Vraj Dirajlal, Fabio Lo, Samuel Lee Sangmyung, Aidan Reed</text>
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                  <text>Items from this collection are derived from a range of cultural and archival materials, including the Ron Sanford Papers housed at Vanderbilt University Special Collections.</text>
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                <text>Large Crown from the 1989 Miss Gay US of A</text>
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                <text>The crown awarded to the winner of the 1989 Miss Gay America competition.</text>
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                <text>This ornate crown was worn by drag performer Carmella Marcella Garcia during the inaugural Miss Gay US of A at-large pageant in 1989. Garcia placed as the fourth alternate in the competition. The pageant was held in Dallas, Texas, and the title was awarded to Netasha Edwards in St. Louis, Missouri.</text>
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                <text>1989 Miss Gay US of A at-large pageant, shared by Kalani Productions on March 26, 2023:https://youtu.be/aJG8SdnleLQ?si=0VQoT4BppZ-zMubp</text>
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                  <text>Collection of letters, reflections, diaries, and memorabilia from the American Civil War. Items were created during the war, but some were compiled into their final published form in the years and decades following. These stories give insight into various subtopics stemming from the war, such as the experience and thought processes of military surgeons in the mid 19th century, the nature of interaction of Union and Confederate soldiers in non-combative contexts, the perils of involvement even outside of battle, as well as methods utilized as means of historical preservation by actors in the conflict.</text>
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                <text>A handwritten letter from Confederate soldier Jasper N. Smith to his wife, Elizabeth Lee Smith, written on March 12, 1862, during the American Civil War. In this letter, Smith writes from a military camp, sharing news about his health, the conditions of the army, and his longing for home. This letter provides a personal and emotional perspective on the everyday experiences of a soldier and the strain of separation from family during wartime.</text>
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                <text>May be viewed only in the reading room of Special Collections in the Jean and Alexander Heard Library</text>
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                <text>&lt;p&gt;&lt;span&gt;MSS.0436, Box 1, Folder 14&lt;/span&gt; &lt;a href="https://collections.library.vanderbilt.edu/repositories/2/archival_objects/274002"&gt;https://collections.library.vanderbilt.edu/repositories/2/archival_objects/274002&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Part of the Letters to Elizabeth Lee Smith collection (MSS.0436)</text>
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                <text>Letters from a Surgeon of the Civil War: Chapter 3: An Accident and Its Conclusion: June 15th, 1863</text>
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                  <text>Objects of Celebration: LGBTQ+ Ornamentation in the Twentieth Century</text>
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                  <text>The materiality of LGBTQ+ celebration in the mid-south during the twentieth century. </text>
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                  <text>Organized by Sara Jones, Nadia Maldonado, Logan Bartee, Jacob Ashby</text>
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                  <text>Ron Sanford - business owner, community organizer, and gay rights advocate - was born and raised in Nashville, but his life and work have left legacies all throughout the South. In particular, Ron's efforts to make space for LGBTQ+ individuals in the region have been made concrete through the numerous gay bars he has helped own and operate, in many cases serving as venues for drag pageants. In the foreword for James Sears' "Growing Up Gay in the South: Race, Gender, and Journeys of Spirit," Virginia Uribe wrote that, in the South, the stories of the LGBTQ+ are at their core "stories of courage and triumph in the face of defeat" (Sears 1991, xii). Vanderbilt Special Collections, largely under the initiative of Sarah Calise, has made a broad effort to make those stories visible and available for the public and scholars alike. The Ron Sanford Papers, a collection of items related to Sanford's life and career, form one pillar of this archival project. This collection, drawing on those papers, highlights the objects that defined LGBTQ+ celebration in the mid-south during the twentieth century and the material aspects of a pageantry tradition which Sanford himself was active in organizing throughout his career. </text>
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                  <text>Group #1 as part of DHUM 1100 at Vanderbilt University, Spring 2025.</text>
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                  <text>Per Vanderbilt Special Collections: When publication is intended, an application for publication rights for any material quoted must be submitted.  These stipulations also apply to dissertations and research theses.</text>
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                  <text>https://collections.library.vanderbilt.edu/repositories/2/resources/2199</text>
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                  <text>Physically located in Nashville, TN. </text>
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                <text>The winning crown worn in the 1997 Miss Gay America pageant. </text>
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                <text>The winner of the 1997 pageant was Lauren Taylor, crowned in Charlotte, NC. Owned by Carmella Marcella Garcia.</text>
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                <text>Opening of the 1997 Miss Gay America Pageant, made available on Youtube by  the "That's Entertainment" channel on December 17, 2018: https://www.youtube.com/watch?v=CzL0aVE499c</text>
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                <text>154 p. ; 20 cm</text>
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