2 10 35 https://spring2025.vudhum.net/files/original/11c044cea535a75c06a6e3d5c3e44917.jpg fb8fd82df93892f2f00b1cd7f1b1fa77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Group 2 Subject The topic of the resource History Of Bluegrass Music Description An account of the resource Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy. Creator An entity primarily responsible for making the resource Group 2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Doc Watson Playing His Guitar Subject The topic of the resource Doc Watson Description An account of the resource Doc Watson (1923–2012) was a highly influential American guitarist and singer known for his flatpicking technique, which helped shape bluegrass and folk music. Despite being blind from infancy, he developed a remarkable style that blended old-time, bluegrass, blues, and country influences. His clean, lightning-fast picking and deep, warm vocals made him a favorite among musicians and fans alike. Some of his most famous songs include: -Black Mountain Rag -Deep River Blues -Tennessee Stud -Shady Grove He won multiple Grammy Awards, including a Lifetime Achievement Award, and played a major role in bringing traditional Appalachian music to a wider audience. His work continues to inspire countless guitarists today. Source A related resource from which the described resource is derived NPR Publisher An entity responsible for making the resource available NPR Format The file format, physical medium, or dimensions of the resource .jpg https://spring2025.vudhum.net/files/original/44666e56326fc3baace76968fc86a785.jpeg 08cae85856d8c7f735968a464fe6d93e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Earl Scruggs Playing The Banjo Subject The topic of the resource Earl Scruggs Description An account of the resource Seen here in his signature three-finger picking style, Earl Scruggs transformed the banjo from a rhythmic background instrument into the driving force of bluegrass music. His technique, precision, and innovation redefined the genre and left an enduring mark on American music history. Date A point or period of time associated with an event in the lifecycle of the resource 1952 Type The nature or genre of the resource Photograph Creator An entity primarily responsible for making the resource WWNO 89.9 Source A related resource from which the described resource is derived NPR: WWNO 89.9 Publisher An entity responsible for making the resource available NPR: WWNO 89.9 Contributor An entity responsible for making contributions to the resource NPR: WWNO 89.9 Rights Information about rights held in and over the resource NPR: WWNO 89.9 Format The file format, physical medium, or dimensions of the resource jpeg Language A language of the resource English https://spring2025.vudhum.net/files/original/a5ee19a190a4d3e6037613004452f378.jpg e5bd6110c05d5ac302ae6fbba687b95a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Group 2 Subject The topic of the resource History Of Bluegrass Music Description An account of the resource Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy. Creator An entity primarily responsible for making the resource Group 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Franklin Adkins playing dobro Description An account of the resource - Throughout southern West Virginia one can find regular jam sessions, which occur in public spaces like the Sophia Fire Hall, the Coal City Barber Shop, and the Beckley Flea Market, as well as in private buildings sometime built for that purpose, and elsewhere as well. As one musician put it, "We've played on the riverbanks, we've played on the mountaintops." Musicians playing a variety of instruments assemble regularly to perform an eclectic repertoire, including as one musician said, "traditional country, bluegrass, rock'n'roll, and gospel." For more than twenty years the musicians in these photos have been getting together at the Sophia Fire Hall on Thursday nights to jam. Some of them have played together publicly under names like "The Harmony Sisters," "The Richman Group," and "The Country Wonders," but they also go by the name of "Papa Frank's Bunch," in tribute to Franklin Adkins, a senior musician and vocalist who also hosts a session of music every Friday night at his home in Stanaford, near New River. - Event: Thursday night jam session at the Sophia Firehouse. Creator An entity primarily responsible for making the resource Adkins, Franklin (Depicted) Eiler, Lyntha Scott (Photographer) Date A point or period of time associated with an event in the lifecycle of the resource October 26, 1995 Contributor An entity responsible for making contributions to the resource James Park Type The nature or genre of the resource Photograph https://spring2025.vudhum.net/files/original/66e1e09b61f2682cfe4001f63e35b599.jpg ffd514db10454920f86d5103b41ffacd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Group 5-Nettie Hale Rand Collection Subject The topic of the resource The Nettie Hale Rand Collection of Fine Binding and Printing Source A related resource from which the described resource is derived Vanderbilt University Special Collections Date A point or period of time associated with an event in the lifecycle of the resource March 20, 2023 Contributor An entity responsible for making contributions to the resource Sean Stringfellow, Shanya Mirza, Cassie Li, Christina Li Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friar Jerome's beautiful book : A.D. 1200 / Thomas Bailey Aldrich Subject The topic of the resource Vellum (parchment) Illumination (image-making process) Description An account of the resource The story combines historical fiction and poetry. Follows the journey of a friar named Jerome who has a rare and exquisitely crafted book that has deep meaning. It has a lyrical style of writing. Creator An entity primarily responsible for making the resource Aldrich, Thomas Bailey Source A related resource from which the described resource is derived Vanderbilt Library Catalog Publisher An entity responsible for making the resource available London : Sangorski Date A point or period of time associated with an event in the lifecycle of the resource 1917 Contributor An entity responsible for making contributions to the resource Sangorski, Alberto Format The file format, physical medium, or dimensions of the resource Color illustrations Type The nature or genre of the resource Poetry https://spring2025.vudhum.net/files/original/e081102c7718edba4af475930d5e6136.jpg ccb54f757a547d1ccf4c34e3aec5d054 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Group 2 Subject The topic of the resource History Of Bluegrass Music Description An account of the resource Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy. Creator An entity primarily responsible for making the resource Group 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harold Carpenter on guitar and Frazier Gills on fiddle Description An account of the resource - Event: Tuesday night jam session at Frazier Gills' Barbershop. - Throughout southern West Virginia one can find regular jam sessions, which occur in public spaces like the Sophia Fire Hall, the Coal City Barber Shop, and the Beckley Flea Market, as well as in private buildings sometime built for that purpose, and elsewhere as well. As one musician put it, "We've played on the riverbanks, we've played on the mountaintops." Musicians playing a variety of instruments assemble regularly to perform an eclectic repertoire, including as one musician said, "traditional country, bluegrass, rock'n'roll, and gospel." Frazer Gills, a celebrated fiddler in the coal fields, cuts hair in the barbershop he built beside his home in Coal City. On Tuesdays he swaps haircuts with Thurmond Walker, a barber in Beckley, who is also a fiddler. Each Tuesday night area musicians congregate at Frazier Gills' for barber shop jam sessions. This session took place in the narrow cinderblock barbershop that Frazier Gills built next to his home in Coal City. Lined with benches beneath walls spangled with decades of historical memorabilia, the shop's focal point is a single barber chair on a dais opposite the entrance. The panoramic photo of miners at the entrance to Letterbrook Number 3 was taken in 1951. The mine shut down in 1955. Creator An entity primarily responsible for making the resource Carpenter, Harold (Depicted) Gills, Frazier (Depicted) Eiler, Lyntha Scott (Photographer) Date A point or period of time associated with an event in the lifecycle of the resource October 30, 1995 Contributor An entity responsible for making contributions to the resource James Park Type The nature or genre of the resource Photograph https://spring2025.vudhum.net/files/original/a25b1eb590011f479d3e66ae89ae839e.jpg fe91d1b0c919cbcdac5e14f6ee773d45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Objects of Celebration: LGBTQ+ Ornamentation in the Twentieth Century Subject The topic of the resource The materiality of LGBTQ+ celebration in the mid-south during the twentieth century. Source A related resource from which the described resource is derived Vanderbilt University Special Collections - Ron Sanford Papers Publisher An entity responsible for making the resource available Vanderbilt University Special Collections Date A point or period of time associated with an event in the lifecycle of the resource March 20, 2025 Contributor An entity responsible for making contributions to the resource Organized by Sara Jones, Nadia Maldonado, Logan Bartee, Jacob Ashby Type The nature or genre of the resource Digital Collection Description An account of the resource Ron Sanford - business owner, community organizer, and gay rights advocate - was born and raised in Nashville, but his life and work have left legacies all throughout the South. In particular, Ron's efforts to make space for LGBTQ+ individuals in the region have been made concrete through the numerous gay bars he has helped own and operate, in many cases serving as venues for drag pageants. In the foreword for James Sears' "Growing Up Gay in the South: Race, Gender, and Journeys of Spirit," Virginia Uribe wrote that, in the South, the stories of the LGBTQ+ are at their core "stories of courage and triumph in the face of defeat" (Sears 1991, xii). Vanderbilt Special Collections, largely under the initiative of Sarah Calise, has made a broad effort to make those stories visible and available for the public and scholars alike. The Ron Sanford Papers, a collection of items related to Sanford's life and career, form one pillar of this archival project. This collection, drawing on those papers, highlights the objects that defined LGBTQ+ celebration in the mid-south during the twentieth century and the material aspects of a pageantry tradition which Sanford himself was active in organizing throughout his career. Format The file format, physical medium, or dimensions of the resource 10 linear feet of source material from the Ron Sanford Papers, digitized by the students of DHUM 1100 and Vanderbilt University Special Collections. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context Located within the Ron Sanford Papers, archived at the Vanderbilt University Special Collections. Creator An entity primarily responsible for making the resource Group #1 as part of DHUM 1100 at Vanderbilt University, Spring 2025. Rights Information about rights held in and over the resource Per Vanderbilt Special Collections: When publication is intended, an application for publication rights for any material quoted must be submitted. These stipulations also apply to dissertations and research theses. Relation A related resource https://collections.library.vanderbilt.edu/repositories/2/resources/2199 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Physically located in Nashville, TN. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Headshot of Diana Hutton Subject The topic of the resource Headshot of Diana Hutton, winner of the 1987 Miss Gay USofA at-large pageant. Description An account of the resource Diana Hutton was the winner of the 1987 Miss Gay USofA pageant, held at The Power Company in Durham, NC. Hutton was originally based out of Nashville, but began performing in drag competitions in Chicago. You can view her performance at the following link: https://www.youtube.com/watch?v=wL7Mz48_UKw Source A related resource from which the described resource is derived The Ron Sanford Papers at Vanderbilt University Special Collections Publisher An entity responsible for making the resource available Vanderbilt University Special Collections Date A point or period of time associated with an event in the lifecycle of the resource 1987 Rights Information about rights held in and over the resource Vanderbilt University Special Collections Format The file format, physical medium, or dimensions of the resource .jpg Type The nature or genre of the resource Photograph Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Durham, NC https://spring2025.vudhum.net/files/original/f792df88b3c32e3487aa838e5b77ecab.jpg 07fb6a5f51e0d7e679e534f0354c6d3a https://spring2025.vudhum.net/files/original/0e23d7e978a388fcfd2f1b3546b43d04.jpg 07fb6a5f51e0d7e679e534f0354c6d3a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Objects of Celebration: LGBTQ+ Ornamentation in the Twentieth Century Subject The topic of the resource The materiality of LGBTQ+ celebration in the mid-south during the twentieth century. Source A related resource from which the described resource is derived Vanderbilt University Special Collections - Ron Sanford Papers Publisher An entity responsible for making the resource available Vanderbilt University Special Collections Date A point or period of time associated with an event in the lifecycle of the resource March 20, 2025 Contributor An entity responsible for making contributions to the resource Organized by Sara Jones, Nadia Maldonado, Logan Bartee, Jacob Ashby Type The nature or genre of the resource Digital Collection Description An account of the resource Ron Sanford - business owner, community organizer, and gay rights advocate - was born and raised in Nashville, but his life and work have left legacies all throughout the South. In particular, Ron's efforts to make space for LGBTQ+ individuals in the region have been made concrete through the numerous gay bars he has helped own and operate, in many cases serving as venues for drag pageants. In the foreword for James Sears' "Growing Up Gay in the South: Race, Gender, and Journeys of Spirit," Virginia Uribe wrote that, in the South, the stories of the LGBTQ+ are at their core "stories of courage and triumph in the face of defeat" (Sears 1991, xii). Vanderbilt Special Collections, largely under the initiative of Sarah Calise, has made a broad effort to make those stories visible and available for the public and scholars alike. The Ron Sanford Papers, a collection of items related to Sanford's life and career, form one pillar of this archival project. This collection, drawing on those papers, highlights the objects that defined LGBTQ+ celebration in the mid-south during the twentieth century and the material aspects of a pageantry tradition which Sanford himself was active in organizing throughout his career. Format The file format, physical medium, or dimensions of the resource 10 linear feet of source material from the Ron Sanford Papers, digitized by the students of DHUM 1100 and Vanderbilt University Special Collections. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context Located within the Ron Sanford Papers, archived at the Vanderbilt University Special Collections. Creator An entity primarily responsible for making the resource Group #1 as part of DHUM 1100 at Vanderbilt University, Spring 2025. Rights Information about rights held in and over the resource Per Vanderbilt Special Collections: When publication is intended, an application for publication rights for any material quoted must be submitted. These stipulations also apply to dissertations and research theses. Relation A related resource https://collections.library.vanderbilt.edu/repositories/2/resources/2199 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Physically located in Nashville, TN. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Headshot of Lauren LeMasters Subject The topic of the resource Letter from Lauren LeMasters to Michael Wilson Description An account of the resource This letter, written from Lauren LeMasters to Michael Dolly Wilson, a close friend of Ran Sanford and owner of several gay bars in Atlanta, is overlaid on a headshot of LeMasters, who was a frequent competitor in drag pageants across the U.S. South and nationwide. Creator An entity primarily responsible for making the resource Lauren LeMasters Source A related resource from which the described resource is derived Vanderbilt University Publisher An entity responsible for making the resource available Vanderbilt University Special Collections Date A point or period of time associated with an event in the lifecycle of the resource 1991 Rights Information about rights held in and over the resource Vanderbilt University Special Collections Format The file format, physical medium, or dimensions of the resource .jpg Language A language of the resource English Type The nature or genre of the resource Letter https://spring2025.vudhum.net/files/original/6bc12298e41f26ba76de56573a2cc51d.png 70a0f1040728b5d7c8a556c750f52bdd https://spring2025.vudhum.net/files/original/193b202c010404f116a1159d55e478ef.png f796b0bd1afd60572289bca2450924bf https://spring2025.vudhum.net/files/original/113fae8c37c8039cbbaa1f5cd67d0afa.png 44692682fe80603d8ab95be19198ab92 https://spring2025.vudhum.net/files/original/5659279293f4467d1d51746f93ad9379.png f3463d24b21f2f1920a4adc56544b3d9 https://spring2025.vudhum.net/files/original/b503310b76032aa2c557e0d11ea80594.png 572e938f5af3149d65aa2a6f43787a17 https://spring2025.vudhum.net/files/original/de547dd6c18c7fa89641c04427bfa28a.png c038499bd354152404dda77fdef980a6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Group 4 - Scripture & Scriptorium: The Catholic Church’s Written Legacy (1300-1700) Subject The topic of the resource DHUM 1100 Date A point or period of time associated with an event in the lifecycle of the resource Circa 1300-1700 Format The file format, physical medium, or dimensions of the resource Physical books Type The nature or genre of the resource Religion Contributor An entity responsible for making contributions to the resource Alexis Nguyen, Shannon Alptekin, Nathaniel Grossman, Silvie Isingizwe, Andrea Urcuyo Source A related resource from which the described resource is derived Special Collections and University Archives Description An account of the resource This collection features 5 scriptures dated between 1300 and 1700 documenting tales of the Catholic Church. It captures the essence of religious perspectives during this point in medieval times. Language A language of the resource Latin, Spanish, English Creator An entity primarily responsible for making the resource Catholic Church Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Horae beatae Virgins Mariae ad usum Creator An entity primarily responsible for making the resource Catholic church Date A point or period of time associated with an event in the lifecycle of the resource 1480 Rights Information about rights held in and over the resource Rheims? : Publisher not identified, 1480? Format The file format, physical medium, or dimensions of the resource [114] leaves : color illustrations ; 17 cm https://spring2025.vudhum.net/files/original/e43e911bc3c3c04ea71b012ce6f549b4.jpg 36d1c296467c472f4a8409ab61ad0a7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Heads of State, Style, and Story: Crowns Across Cultures Subject The topic of the resource Study of ceremonial crowns and headpieces across different cultures and time periods. Description An account of the resource This curated collection explores the symbolism, artistry, and cultural significance of crowns from around the world. From sacred Yoruba regalia to 20th-century pageant tiaras, these artifacts reflect diverse expressions of power, beauty, and identity. Creator An entity primarily responsible for making the resource Group 3 Contributor An entity responsible for making contributions to the resource Vraj Dirajlal, Fabio Lo, Samuel Lee Sangmyung, Aidan Reed Source A related resource from which the described resource is derived Items from this collection are derived from a range of cultural and archival materials, including the Ron Sanford Papers housed at Vanderbilt University Special Collections. Publisher An entity responsible for making the resource available Vanderbilt University Library, Vanderbilt University Special Collections Date A point or period of time associated with an event in the lifecycle of the resource Spring 2025 Rights Information about rights held in and over the resource All rights reserved by Vanderbilt University Special Collections. Materials used with permission. Format The file format, physical medium, or dimensions of the resource Digital exhibition collection; includes images, descriptions, and archival references. Language A language of the resource English Type The nature or genre of the resource Curated Cultural Collection / Digital Exhibit Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Indonesian Crown Description An account of the resource Crown for an unknown Indonesian person Creator An entity primarily responsible for making the resource Unkown Indonesian Contributor An entity responsible for making contributions to the resource The Museum of Fine Arts, Houston Format The file format, physical medium, or dimensions of the resource Crown; Gold https://spring2025.vudhum.net/files/original/29f1d7d6b0b66cc411defaf913fb1708.jpg 7bd6af236bdcaff4d66581e5e083940e https://spring2025.vudhum.net/files/original/c95ac1f05ab1d304860b9b87e1a36118.jpg f917d85bd80ce1ea45a9e78dc81fe552 https://spring2025.vudhum.net/files/original/4caf55173a58736687039519dbdaf8dc.jpg 6fa84b95f012b4facf05b5322d3dc132 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Objects of Celebration: LGBTQ+ Ornamentation in the Twentieth Century Subject The topic of the resource The materiality of LGBTQ+ celebration in the mid-south during the twentieth century. Source A related resource from which the described resource is derived Vanderbilt University Special Collections - Ron Sanford Papers Publisher An entity responsible for making the resource available Vanderbilt University Special Collections Date A point or period of time associated with an event in the lifecycle of the resource March 20, 2025 Contributor An entity responsible for making contributions to the resource Organized by Sara Jones, Nadia Maldonado, Logan Bartee, Jacob Ashby Type The nature or genre of the resource Digital Collection Description An account of the resource Ron Sanford - business owner, community organizer, and gay rights advocate - was born and raised in Nashville, but his life and work have left legacies all throughout the South. In particular, Ron's efforts to make space for LGBTQ+ individuals in the region have been made concrete through the numerous gay bars he has helped own and operate, in many cases serving as venues for drag pageants. In the foreword for James Sears' "Growing Up Gay in the South: Race, Gender, and Journeys of Spirit," Virginia Uribe wrote that, in the South, the stories of the LGBTQ+ are at their core "stories of courage and triumph in the face of defeat" (Sears 1991, xii). Vanderbilt Special Collections, largely under the initiative of Sarah Calise, has made a broad effort to make those stories visible and available for the public and scholars alike. The Ron Sanford Papers, a collection of items related to Sanford's life and career, form one pillar of this archival project. This collection, drawing on those papers, highlights the objects that defined LGBTQ+ celebration in the mid-south during the twentieth century and the material aspects of a pageantry tradition which Sanford himself was active in organizing throughout his career. Format The file format, physical medium, or dimensions of the resource 10 linear feet of source material from the Ron Sanford Papers, digitized by the students of DHUM 1100 and Vanderbilt University Special Collections. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context Located within the Ron Sanford Papers, archived at the Vanderbilt University Special Collections. Creator An entity primarily responsible for making the resource Group #1 as part of DHUM 1100 at Vanderbilt University, Spring 2025. Rights Information about rights held in and over the resource Per Vanderbilt Special Collections: When publication is intended, an application for publication rights for any material quoted must be submitted. These stipulations also apply to dissertations and research theses. Relation A related resource https://collections.library.vanderbilt.edu/repositories/2/resources/2199 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Physically located in Nashville, TN. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Large Crown - Miss Gay US of A Description An account of the resource Worn by drag queen Carmella Marcella Garcia in 1989 at the inaugural Miss Gay US of A at-large pageant. Carmella Marcella Garcia was recognized as the fourth alternate at the 1989 pageant, and the winner, Netasha Edwards, was crowned in St. Louis, MO. Source A related resource from which the described resource is derived Special Collections: Ron Sanford Papers Publisher An entity responsible for making the resource available Vanderbilt Special Collections Date A point or period of time associated with an event in the lifecycle of the resource 1989 Contributor An entity responsible for making contributions to the resource Vanderbilt Special Collections - Ron Sanford Papers Rights Information about rights held in and over the resource Vanderbilt University Special Collections Type The nature or genre of the resource Artifact Creator An entity primarily responsible for making the resource anon. Relation A related resource Opening of the 1989 Miss Gay US of A at-large pageant, made available by the channel "Kalani Productions" on March 26, 2023: https://www.youtube.com/watch?v=RlRJLEyrcEg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The 1989 Miss Gay US of A pageant was held in San Antonio, Texas. Carmella Marcella Garcia Crown Pageant