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                <text>This letter, written from Lauren LeMasters to Michael Dolly Wilson, a close friend of Ran Sanford and owner of several gay bars in Atlanta, is overlaid on a headshot of LeMasters, who was a frequent competitor in drag pageants across the U.S. South and nationwide.</text>
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                  <text>Per Vanderbilt Special Collections: When publication is intended, an application for publication rights for any material quoted must be submitted.  These stipulations also apply to dissertations and research theses.</text>
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                  <text>https://collections.library.vanderbilt.edu/repositories/2/resources/2199</text>
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                  <text>Physically located in Nashville, TN. </text>
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                <text>Headshot of Diana Hutton</text>
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                <text>Headshot of Diana Hutton, winner of the 1987 Miss Gay USofA at-large pageant. </text>
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                <text>Diana Hutton was the winner of the 1987 Miss Gay USofA pageant, held at The Power Company in Durham, NC. Hutton was originally based out of Nashville, but began performing in drag competitions in Chicago. You can view her performance at the following link: https://www.youtube.com/watch?v=wL7Mz48_UKw</text>
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                <text>The Ron Sanford Papers at Vanderbilt University Special Collections</text>
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                  <text>The Nettie Hale Rand Collection of Fine Binding and Printing</text>
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                <text>Christmas literature, Victorian fiction, social commentary</text>
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                <text>A novella by Charles Dickens, The Chimes was published in 1845 as the second of his Christmas books. This edition was published in London by Chapman and Hall. The book contains 175 pages, with two engraved plates, one of which serves as an additional title page. This engraved title page exists in two states, distinguished by the placement of the publisher’s name. The Sevier copy 1, a gift from Norman L. and Roselea J. Goldberg, is in state 2. Sevier copy 2 and the Rand copy are in state 1. Sevier copy 2 is housed in a calfskin dust jacket. Sevier copy 2 and the Rand copy are bound together with four other volumes in a red box titled Christmas Books.</text>
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                <text>Dickens, Charles, 1812-1870.</text>
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                <text>Vanderbilt University Library Catalog</text>
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                <text>175 p., [2] leaves of plates : front., ill. ; 17 cm.</text>
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OCLC : (OCoLC)00556548</text>
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                <text>19th-century England&#13;
&#13;
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                  <text>Heads of State, Style, and Story: Crowns Across Cultures</text>
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                  <text>Study of ceremonial crowns and headpieces across different cultures and time periods.</text>
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                  <text>This curated collection explores the symbolism, artistry, and cultural significance of crowns from around the world. From sacred Yoruba regalia to 20th-century pageant tiaras, these artifacts reflect diverse expressions of power, beauty, and identity.</text>
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                  <text>Items from this collection are derived from a range of cultural and archival materials, including the Ron Sanford Papers housed at Vanderbilt University Special Collections.</text>
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                  <text>All rights reserved by Vanderbilt University Special Collections. Materials used with permission.</text>
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                <text>Yoruba Sacred Crown</text>
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                <text>Ceremonial Crown</text>
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                <text>A cone-shaped crown with beaded veil is the most important element of royal regalia among the Yoruba. Reserved for ceremonial occasions, only rulers descended from the deity Oduduwa may wear them. To consecrate a sacred crown, magical herbal materials are utilized. </text>
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                <text>Image and original data from The Cleveland Museum of Art. &#13;
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                <text>Medium:  cloth, glass beads, basketry, cardboard, wood, and feather quilts.&#13;
&#13;
Overall: 105.9cm, Diameter: 26.8cm, Cone: 35.1cm, Fringe: 55.3cm.</text>
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