4 10 35 https://spring2025.vudhum.net/files/original/44666e56326fc3baace76968fc86a785.jpeg 08cae85856d8c7f735968a464fe6d93e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Earl Scruggs Playing The Banjo Subject The topic of the resource Earl Scruggs Description An account of the resource Seen here in his signature three-finger picking style, Earl Scruggs transformed the banjo from a rhythmic background instrument into the driving force of bluegrass music. His technique, precision, and innovation redefined the genre and left an enduring mark on American music history. Date A point or period of time associated with an event in the lifecycle of the resource 1952 Type The nature or genre of the resource Photograph Creator An entity primarily responsible for making the resource WWNO 89.9 Source A related resource from which the described resource is derived NPR: WWNO 89.9 Publisher An entity responsible for making the resource available NPR: WWNO 89.9 Contributor An entity responsible for making contributions to the resource NPR: WWNO 89.9 Rights Information about rights held in and over the resource NPR: WWNO 89.9 Format The file format, physical medium, or dimensions of the resource jpeg Language A language of the resource English https://spring2025.vudhum.net/files/original/cf4fd2f3e9bb27b4fee159008fc33c8a.jpg 75e421e7448f3d430e02f8723baa5fea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Heads of State, Style, and Story: Crowns Across Cultures Subject The topic of the resource Study of ceremonial crowns and headpieces across different cultures and time periods. Description An account of the resource This curated collection explores the symbolism, artistry, and cultural significance of crowns from around the world. From sacred Yoruba regalia to 20th-century pageant tiaras, these artifacts reflect diverse expressions of power, beauty, and identity. Creator An entity primarily responsible for making the resource Group 3 Contributor An entity responsible for making contributions to the resource Vraj Dirajlal, Fabio Lo, Samuel Lee Sangmyung, Aidan Reed Source A related resource from which the described resource is derived Items from this collection are derived from a range of cultural and archival materials, including the Ron Sanford Papers housed at Vanderbilt University Special Collections. Publisher An entity responsible for making the resource available Vanderbilt University Library, Vanderbilt University Special Collections Date A point or period of time associated with an event in the lifecycle of the resource Spring 2025 Rights Information about rights held in and over the resource All rights reserved by Vanderbilt University Special Collections. Materials used with permission. Format The file format, physical medium, or dimensions of the resource Digital exhibition collection; includes images, descriptions, and archival references. Language A language of the resource English Type The nature or genre of the resource Curated Cultural Collection / Digital Exhibit Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yoruba Sacred Crown Subject The topic of the resource Ceremonial Crown Description An account of the resource A cone-shaped crown with beaded veil is the most important element of royal regalia among the Yoruba. Reserved for ceremonial occasions, only rulers descended from the deity Oduduwa may wear them. To consecrate a sacred crown, magical herbal materials are utilized. Creator An entity primarily responsible for making the resource Yoruba people, Nigeria, West Africa Source A related resource from which the described resource is derived Image and original data from The Cleveland Museum of Art. Formerly in The AMICO Library Publisher An entity responsible for making the resource available JSTOR Library Date A point or period of time associated with an event in the lifecycle of the resource early 1900s Rights Information about rights held in and over the resource The Cleveland Museum of Art. rights@clevelandart.org Format The file format, physical medium, or dimensions of the resource Medium: cloth, glass beads, basketry, cardboard, wood, and feather quilts. Overall: 105.9cm, Diameter: 26.8cm, Cone: 35.1cm, Fringe: 55.3cm. Language A language of the resource English Type The nature or genre of the resource Costume and Jewelry Identifier An unambiguous reference to the resource within a given context CMA_.1995.22 https://spring2025.vudhum.net/files/original/a52aa602e147a2b6f07927c56a1804fa.jpg 25a5cc8af3fe5aab02baab3299d56e14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Group 2 Subject The topic of the resource History Of Bluegrass Music Description An account of the resource Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy. Creator An entity primarily responsible for making the resource Group 2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Very early photograph of Bill Monroe and his Bluegrass Boys. Art Wooten, Bill Monroe, Cleo Davis, Amos Garren. Subject The topic of the resource Bill Monroe and his Bluegrass Boys: Art Wooten, Bill Monroe, Cleo Davis, Amos Garren. Description An account of the resource Bill Monroe (1911–1996) was a singer, mandolinist, and songwriter who pioneered the genre of bluegrass music. His band, Bill Monroe and the Blue Grass Boys, set the foundation for bluegrass with its tight harmonies, fast tempos, and virtuosic instrumentation. He fused old-time Appalachian music, blues, and gospel into a distinct sound that inspired generations of musicians. In 1939, Bill Monroe travelled to Nashville to audition for the Grand Ole Opry after honing his skills in North Carolina. Impressed by his performance of Jimmie Rodgers’ Mule Skinner Blues, WSM radio executives George D. Hay, Harry Stone, and David Stone offered him a regular spot on the Opry. By 1943, Monroe had become a household name, reportedly earning around $200,000 a year from performances. At the time, the Opry was held at Nashville’s War Memorial Auditorium, but its move to the Ryman in June 1943 coincided with key changes in Monroe’s band—developments that would play a crucial role in defining bluegrass as a genre. Source A related resource from which the described resource is derived Ryman Auditorium Publisher An entity responsible for making the resource available Ryman Auditorium Date A point or period of time associated with an event in the lifecycle of the resource July, 1943 Format The file format, physical medium, or dimensions of the resource .jpg Language A language of the resource English https://spring2025.vudhum.net/files/original/11c044cea535a75c06a6e3d5c3e44917.jpg fb8fd82df93892f2f00b1cd7f1b1fa77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Group 2 Subject The topic of the resource History Of Bluegrass Music Description An account of the resource Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy. Creator An entity primarily responsible for making the resource Group 2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Doc Watson Playing His Guitar Subject The topic of the resource Doc Watson Description An account of the resource Doc Watson (1923–2012) was a highly influential American guitarist and singer known for his flatpicking technique, which helped shape bluegrass and folk music. Despite being blind from infancy, he developed a remarkable style that blended old-time, bluegrass, blues, and country influences. His clean, lightning-fast picking and deep, warm vocals made him a favorite among musicians and fans alike. Some of his most famous songs include: -Black Mountain Rag -Deep River Blues -Tennessee Stud -Shady Grove He won multiple Grammy Awards, including a Lifetime Achievement Award, and played a major role in bringing traditional Appalachian music to a wider audience. His work continues to inspire countless guitarists today. Source A related resource from which the described resource is derived NPR Publisher An entity responsible for making the resource available NPR Format The file format, physical medium, or dimensions of the resource .jpg https://spring2025.vudhum.net/files/original/a25b1eb590011f479d3e66ae89ae839e.jpg fe91d1b0c919cbcdac5e14f6ee773d45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Objects of Celebration: LGBTQ+ Ornamentation in the Twentieth Century Subject The topic of the resource The materiality of LGBTQ+ celebration in the mid-south during the twentieth century. Source A related resource from which the described resource is derived Vanderbilt University Special Collections - Ron Sanford Papers Publisher An entity responsible for making the resource available Vanderbilt University Special Collections Date A point or period of time associated with an event in the lifecycle of the resource March 20, 2025 Contributor An entity responsible for making contributions to the resource Organized by Sara Jones, Nadia Maldonado, Logan Bartee, Jacob Ashby Type The nature or genre of the resource Digital Collection Description An account of the resource Ron Sanford - business owner, community organizer, and gay rights advocate - was born and raised in Nashville, but his life and work have left legacies all throughout the South. In particular, Ron's efforts to make space for LGBTQ+ individuals in the region have been made concrete through the numerous gay bars he has helped own and operate, in many cases serving as venues for drag pageants. In the foreword for James Sears' "Growing Up Gay in the South: Race, Gender, and Journeys of Spirit," Virginia Uribe wrote that, in the South, the stories of the LGBTQ+ are at their core "stories of courage and triumph in the face of defeat" (Sears 1991, xii). Vanderbilt Special Collections, largely under the initiative of Sarah Calise, has made a broad effort to make those stories visible and available for the public and scholars alike. The Ron Sanford Papers, a collection of items related to Sanford's life and career, form one pillar of this archival project. This collection, drawing on those papers, highlights the objects that defined LGBTQ+ celebration in the mid-south during the twentieth century and the material aspects of a pageantry tradition which Sanford himself was active in organizing throughout his career. Format The file format, physical medium, or dimensions of the resource 10 linear feet of source material from the Ron Sanford Papers, digitized by the students of DHUM 1100 and Vanderbilt University Special Collections. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context Located within the Ron Sanford Papers, archived at the Vanderbilt University Special Collections. Creator An entity primarily responsible for making the resource Group #1 as part of DHUM 1100 at Vanderbilt University, Spring 2025. Rights Information about rights held in and over the resource Per Vanderbilt Special Collections: When publication is intended, an application for publication rights for any material quoted must be submitted. These stipulations also apply to dissertations and research theses. Relation A related resource https://collections.library.vanderbilt.edu/repositories/2/resources/2199 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Physically located in Nashville, TN. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Headshot of Diana Hutton Subject The topic of the resource Headshot of Diana Hutton, winner of the 1987 Miss Gay USofA at-large pageant. Description An account of the resource Diana Hutton was the winner of the 1987 Miss Gay USofA pageant, held at The Power Company in Durham, NC. Hutton was originally based out of Nashville, but began performing in drag competitions in Chicago. You can view her performance at the following link: https://www.youtube.com/watch?v=wL7Mz48_UKw Source A related resource from which the described resource is derived The Ron Sanford Papers at Vanderbilt University Special Collections Publisher An entity responsible for making the resource available Vanderbilt University Special Collections Date A point or period of time associated with an event in the lifecycle of the resource 1987 Rights Information about rights held in and over the resource Vanderbilt University Special Collections Format The file format, physical medium, or dimensions of the resource .jpg Type The nature or genre of the resource Photograph Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Durham, NC