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                  <text>Objects of Celebration: LGBTQ+ Ornamentation in the Twentieth Century</text>
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                  <text>The materiality of LGBTQ+ celebration in the mid-south during the twentieth century. </text>
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                  <text>Vanderbilt University Special Collections - Ron Sanford Papers </text>
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                  <text>March 20, 2025</text>
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                  <text>Organized by Sara Jones, Nadia Maldonado, Logan Bartee, Jacob Ashby</text>
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                  <text>Ron Sanford - business owner, community organizer, and gay rights advocate - was born and raised in Nashville, but his life and work have left legacies all throughout the South. In particular, Ron's efforts to make space for LGBTQ+ individuals in the region have been made concrete through the numerous gay bars he has helped own and operate, in many cases serving as venues for drag pageants. In the foreword for James Sears' "Growing Up Gay in the South: Race, Gender, and Journeys of Spirit," Virginia Uribe wrote that, in the South, the stories of the LGBTQ+ are at their core "stories of courage and triumph in the face of defeat" (Sears 1991, xii). Vanderbilt Special Collections, largely under the initiative of Sarah Calise, has made a broad effort to make those stories visible and available for the public and scholars alike. The Ron Sanford Papers, a collection of items related to Sanford's life and career, form one pillar of this archival project. This collection, drawing on those papers, highlights the objects that defined LGBTQ+ celebration in the mid-south during the twentieth century and the material aspects of a pageantry tradition which Sanford himself was active in organizing throughout his career. </text>
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                  <text>10 linear feet of source material from the Ron Sanford Papers, digitized by the students of DHUM 1100 and Vanderbilt University Special Collections. </text>
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                  <text>Located within the Ron Sanford Papers, archived at the Vanderbilt University Special Collections. </text>
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                  <text>Group #1 as part of DHUM 1100 at Vanderbilt University, Spring 2025.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Per Vanderbilt Special Collections: When publication is intended, an application for publication rights for any material quoted must be submitted.  These stipulations also apply to dissertations and research theses.</text>
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                  <text>https://collections.library.vanderbilt.edu/repositories/2/resources/2199</text>
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                  <text>Physically located in Nashville, TN. </text>
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                <text>Headshot of Diana Hutton</text>
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                <text>Headshot of Diana Hutton, winner of the 1987 Miss Gay USofA at-large pageant. </text>
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                <text>Diana Hutton was the winner of the 1987 Miss Gay USofA pageant, held at The Power Company in Durham, NC. Hutton was originally based out of Nashville, but began performing in drag competitions in Chicago. You can view her performance at the following link: https://www.youtube.com/watch?v=wL7Mz48_UKw</text>
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                <text>The Ron Sanford Papers at Vanderbilt University Special Collections</text>
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                <text>Durham, NC</text>
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                  <text>History Of Bluegrass Music</text>
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                  <text>Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy.</text>
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                <text>Doc Watson Playing His Guitar</text>
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                <text>Doc Watson (1923–2012) was a highly influential American guitarist and singer known for his flatpicking technique, which helped shape bluegrass and folk music. Despite being blind from infancy, he developed a remarkable style that blended old-time, bluegrass, blues, and country influences. His clean, lightning-fast picking and deep, warm vocals made him a favorite among musicians and fans alike.&#13;
&#13;
Some of his most famous songs include:&#13;
-Black Mountain Rag&#13;
-Deep River Blues&#13;
-Tennessee Stud&#13;
-Shady Grove&#13;
&#13;
He won multiple Grammy Awards, including a Lifetime Achievement Award, and played a major role in bringing traditional Appalachian music to a wider audience. His work continues to inspire countless guitarists today.</text>
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                  <text>Bluegrass music, born in the Appalachian region in the 1940s, blends influences from old-time string bands, blues, jazz, and gospel. Pioneered by Bill Monroe and his Blue Grass Boys, the genre is defined by fast tempos, intricate instrumentation, and soulful harmonies. Rooted in tradition yet constantly evolving, bluegrass continues to inspire musicians and audiences worldwide. This exhibit explores its rich history, key figures, and enduring legacy.</text>
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                <text>Very early photograph of Bill Monroe and his Bluegrass Boys. Art Wooten, Bill Monroe, Cleo Davis, Amos Garren.</text>
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                <text>Bill Monroe (1911–1996) was a singer, mandolinist, and songwriter who pioneered the genre of bluegrass music. His band, Bill Monroe and the Blue Grass Boys, set the foundation for bluegrass with its tight harmonies, fast tempos, and virtuosic instrumentation. He fused old-time Appalachian music, blues, and gospel into a distinct sound that inspired generations of musicians.&#13;
&#13;
In 1939, Bill Monroe travelled to Nashville to audition for the Grand Ole Opry after honing his skills in North Carolina. Impressed by his performance of Jimmie Rodgers’ Mule Skinner Blues, WSM radio executives George D. Hay, Harry Stone, and David Stone offered him a regular spot on the Opry. By 1943, Monroe had become a household name, reportedly earning around $200,000 a year from performances. At the time, the Opry was held at Nashville’s War Memorial Auditorium, but its move to the Ryman in June 1943 coincided with key changes in Monroe’s band—developments that would play a crucial role in defining bluegrass as a genre.</text>
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                <text>Ryman Auditorium</text>
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                <text>July, 1943</text>
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                  <text>Heads of State, Style, and Story: Crowns Across Cultures</text>
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                  <text>Study of ceremonial crowns and headpieces across different cultures and time periods.</text>
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                  <text>This curated collection explores the symbolism, artistry, and cultural significance of crowns from around the world. From sacred Yoruba regalia to 20th-century pageant tiaras, these artifacts reflect diverse expressions of power, beauty, and identity.</text>
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                  <text>Vraj Dirajlal, Fabio Lo, Samuel Lee Sangmyung, Aidan Reed</text>
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                  <text>Items from this collection are derived from a range of cultural and archival materials, including the Ron Sanford Papers housed at Vanderbilt University Special Collections.</text>
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                <text>Earl Scruggs Playing The Banjo</text>
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                <text>Seen here in his signature three-finger picking style, Earl Scruggs transformed the banjo from a rhythmic background instrument into the driving force of bluegrass music. His technique, precision, and innovation redefined the genre and left an enduring mark on American music history.</text>
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                <text>NPR: WWNO 89.9</text>
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                  <text>Collection of letters, reflections, diaries, and memorabilia from the American Civil War. Items were created during the war, but some were compiled into their final published form in the years and decades following. These stories give insight into various subtopics stemming from the war, such as the experience and thought processes of military surgeons in the mid 19th century, the nature of interaction of Union and Confederate soldiers in non-combative contexts, the perils of involvement even outside of battle, as well as methods utilized as means of historical preservation by actors in the conflict.</text>
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                  <text>Letters from the Civil War</text>
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                  <text>Emma Kyber, Grear Boyd, Jacob Kim, Brian Viner</text>
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                <text>William R. McMahan, born in 1843 in Indiana, enlisted in the Union Army at 18 as a private with the Fifty-eighth Volunteer Infantry on September 10, 1861. His diary offers a firsthand account of military life during significant Civil War campaigns, including those at Chattanooga, Lookout Mountain, Chickamauga, and Atlanta, and records his rise to the rank of First Lieutenant. After his military service, he pursued a medical career, graduating from Rush Medical College in Chicago in 1868 and later teaching at Evansville Medical College from 1882 to 1884. The diary also documents financial transactions and lists of wounded soldiers.</text>
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                <text>William R. McMahan</text>
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                <text>Vanderbilt University Special Collections</text>
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                <text>May be viewed only in the reading room of Special Collections in the Jean and Alexander Heard Library</text>
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                <text>MSS.0278; https://collections.library.vanderbilt.edu/repositories/2/resources/1005;</text>
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                <text>Civil War, United States</text>
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                  <text>Heads of State, Style, and Story: Crowns Across Cultures</text>
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                  <text>This curated collection explores the symbolism, artistry, and cultural significance of crowns from around the world. From sacred Yoruba regalia to 20th-century pageant tiaras, these artifacts reflect diverse expressions of power, beauty, and identity.</text>
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                  <text>Items from this collection are derived from a range of cultural and archival materials, including the Ron Sanford Papers housed at Vanderbilt University Special Collections.</text>
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                <text>Crown for an unknown Indonesian person</text>
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="342">
                <text>UnityBluegrassBand.com</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="343">
                <text>UnityBluegrassBand.com</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="344">
                <text>2009</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="345">
                <text>UnityBluegrassBand.com</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="346">
                <text>jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="347">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
